Latest

  • Reverb and delay basics: types, pre-delay, and sending versus inserting

    Reverb fakes a room and delay repeats a sound, and both usually sound best on a shared return track rather than stacked on every channel. Here is what early reflections, decay, pre-delay, feedback and ping pong actually do, using the Ableton Live manual as the reference, and when to send instead of insert.

    Workflows

  • Sample rate and bit depth explained: what to record at, and what to deliver

    Sample rate and bit depth are the two numbers on every audio file, and the advice around them is full of folklore. Here is what each one actually controls, what Spotify and Apple ask you to deliver, and why the honest answer for most independent releases is "record at 24-bit, keep your native rate, and never upsample".

    Workflows

  • Sidechain compression beyond EDM pumping: ducking, key inputs and multiband sidechains

    A sidechain lets one sound control how a processor treats another. Pumping kick-and-bass is the famous use, but the same routing quietly ducks guitars under a vocal, keys a gate from a drum, and, with a multiband compressor, turns down only the frequencies that clash. Here is how each version works, using the Ableton Live manual and FabFilter Pro-MB help as references.

    Workflows

  • Spotify for Artists pitching: the deadlines, the rules and what a pitch can and cannot do

    Spotify for Artists lets your team pitch one unreleased song at a time to Spotify's editors, and video pitching is rolling out too. Here is every rule Spotify itself publishes: the 7-day deadline, who on your team can pitch, what the form asks, how Release Radar and This Is pins work, and the things a pitch will never do, as we read Spotify's help pages on 24 Oct 2026.

    Workflows

Subscribe to We are the music makers

One email a week: the music-tech and AI-in-music news that mattered, and what we think about it.

Sign-ups open soon.