Topic

Explainer

  • The Music Modernization Act in 10 minutes: what it fixed, and what it left broken

    The 2018 Music Modernization Act rebuilt US streaming mechanicals, brought pre-1972 recordings into federal law and wrote producer royalties into the statute. It left AM/FM radio untouched, and unclaimed song money still goes out by market share. Here is what each part does for you, with worked examples and a checklist.

    Artist rightsvia U.S. Copyright Office

  • Publishing deals explained: admin, co-pub and full publishing, and what each costs you

    A publishing deal decides who owns part of your song, who registers it, and for how long. Admin deals leave ownership with you for a fee. Co-pub and full publishing deals trade a share of the copyright for an advance and a team. Here is how the money splits, how long the rights stay away, and why the catalogue sales of 2026 make ownership the part to guard.

    Industryvia ASCAP

  • ISRC, ISWC, IPI, UPC: the four codes that decide whether you get paid

    Four codes identify your recording, your song, you as a writer and your release. Royalties go missing when they don't line up with each other, usually because the splits disagree or nobody linked the recording to the song. Here is what each code does, who issues it, and a release-day checklist.

    Industryvia International ISRC Agency (IFPI)

  • How YouTube Shorts actually pays when someone uses your song

    Shorts don't pay per play. YouTube pools Shorts Feed ad money each month, takes out a music share for every Short that uses a licensed track, and the music share reaches artists only through a label or distributor. Here is the maths, with YouTube's own worked example, and what to check in your statements.

    Industryvia YouTube Help

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