Topic

Industry

  • IPRS and PPL India explained: who collects for your song, who collects for your recording, and what changed in 2025

    India splits music licensing between the song and the recording. IPRS speaks for composers, lyricists and publishers; PPL India licenses sound recordings assigned to it by labels. A 2025 Delhi High Court ruling questioned how PPL may license without being a registered copyright society. This guide explains the two sides and what an independent artist should do, using the Copyright Act text and court records read on 25 Oct 2026.

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  • Neighbouring rights explained: what performers and master owners can collect, and from whom

    Neighbouring rights pay the people behind a recording, not the song: the master owner and the performers on it. This guide sets out the two roles, how PPL in the UK and SoundExchange in the US split the money, where the US differs, and what a self-releasing artist should register, using PPL, SoundExchange, WIPO and US statute pages read on 24 Oct 2026.

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  • Production music libraries explained: how library deals work for composers

    Production music is written to be licensed: background cues, beds, stings and themes that video makers pick from a catalogue instead of commissioning a score. This guide explains how libraries make money, what an exclusive or non-exclusive deal actually changes for you, why Content ID and retitling collide, and how to write and deliver music a library can use. Sources read on 25 Oct 2026.

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