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  • SoundExchange, explained: the US digital radio royalty you only get if you register

    SoundExchange collects US royalties when recordings play on non-interactive digital services such as SiriusXM, Pandora and iHeartRadio. Registration is free and open to artists outside the US, but unclaimed money expires after three years, and self-releasing artists who register only as performers leave the larger share behind.

    Industryvia Legal Information Institute, Cornell Law School

  • Treblo's own detector flagged a Hot 100 hit as its output. That is the real power shift

    AI music app Treblo released a detector built to recognise its own output, and it returned "very likely Treblo" for Fenix Flexin's "Rubberz", a song then at No. 58 on the Billboard Hot 100. Fenix had denied using AI and later admitted it. The bigger story is that a generator that can identify its own output holds leverage over every artist who used it.

    AIvia Spotify Newsroom

  • Buying the venues: Music Venue Properties secures its tenth grassroots room, Brighton's Pipeline

    Music Venue Properties, the charitable community benefit society set up by Music Venue Trust, has bought The Pipeline in Brighton, the tenth grassroots venue secured through its Own Our Venues campaign. The model swaps a commercial landlord for a charitable one. That removes the property risk behind more than a third of venue closures, but it does nothing for the thin margins behind most of the rest.

    Industryvia Music Venue Trust

  • Your unclaimed mechanicals have a deadline: the MLC starts market-share payouts in 2027

    The Mechanical Licensing Collective plans to start paying out unmatched and unclaimed US streaming mechanicals by market share in 2027, beginning with January 2021 usage. Money that nobody has claimed by then goes to whoever already earns the most. Here is how to register, match and claim before it does.

    Industryvia The Mechanical Licensing Collective

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