Sub-Saharan Africa's recorded music revenues grew 15.2% in 2025 to $120 million, and digital income grew faster still. But South Africa takes 78.1% of that, collecting societies across the continent took in only €90 million in 2024, and nobody publishes fraud rates for African markets. For African artists the growth is real; the plumbing that turns plays into payments is not keeping up.
Industryvia IFPI
In February 2024 SoundCloud added a line to its terms letting uploads "inform, train, develop" AI. When artists noticed in May 2025, it replaced the line with a narrower promise: no training of generative models that "aim to replicate or synthesize" your voice, music or likeness without opt-in. The fix is real, but it is narrower than it sounds. Here is how to read clauses like it.
Artist rightsvia SoundCloud
A publishing deal decides who owns part of your song, who registers it, and for how long. Admin deals leave ownership with you for a fee. Co-pub and full publishing deals trade a share of the copyright for an advance and a team. Here is how the money splits, how long the rights stay away, and why the catalogue sales of 2026 make ownership the part to guard.
Industryvia ASCAP
The Professional Sound Alliance launched on 24 Sep 2026 to fight "Data Piracy" and "Sync Piracy" of sound effects. Two of its founding libraries already sell AI training data, so this is a campaign for licensed AI on their terms. The open question is whether the recordists behind those libraries share in it.
Artist rightsvia Professional Sound Alliance
Qobuz says only 0.38% of its streams come from AI-identified tracks, and it treats 60% of those streams as fraud. A self-selected sample of AI creators charted by SIQA points the other way, towards hybrid human-plus-AI work. Supply is huge, real listening is small, and policy written for "fully AI slop" misses most of the people actually using these tools.
AIvia Qobuz
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