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  • Automation in your DAW: a practical guide to moving mixes

    Automation is how a mix changes over time: a vocal that rides up in the chorus, a filter that opens into the drop, a reverb that blooms on the last word. This guide covers drawing and recording automation, the Read, Touch, Latch and Write modes, how to avoid overwriting your own work, and a simple order for automating a mix. Mode definitions come from the Ableton Live and Logic Pro manuals, read on 25 Oct 2026.

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  • Bus processing and groups: how to glue a mix without losing control

    Groups and return tracks are the two ways most DAWs let you process many tracks at once. This guide explains the difference, how to set up drum, music and vocal buses, how sends work, and the habits that keep bus processing from flattening a mix. DAW details come from the Ableton Live 12 manual, read on 25 Oct 2026; the ideas carry over to any DAW.

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  • How to choose studio monitors: size, room and placement first

    A practical guide to choosing your first or next pair of studio monitors: why the room and placement matter as much as the speaker, how to read a frequency-response spec, what size woofer suits a small room, and how to set the monitors up once they arrive. Placement guidance comes from Genelec and specs from Yamaha, read on 25 Oct 2026.

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  • Chord progressions for producers who don't read music

    You do not need notation to write chords. A triad is three notes you can count out on a piano roll, a progression is a short loop of them, and a few DAW tools will do the counting for you. This guide covers triads, the 1-5-6-4 loop, inversions and voicings, using Ableton Learning Music and the Ableton and FL Studio manuals, read on 24 Oct 2026.

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