Topic
You can write, record, mix and release a track with nothing but a laptop and a pair of headphones. This guide covers which free or cheap software to start with, how to set the laptop up so it does not fight you, how to record without an interface, how to mix on headphones, and when an upgrade is actually worth buying. Prices and loudness figures were checked on 25 Oct 2026.
Workflows
Layering means playing two or more drum sounds as one hit, each doing a different job. Done well, it gives a kick both weight and click; done carelessly, it gives you a louder, blurrier version of what you had. This guide covers choosing layers by job, fixing phase and timing, filtering each layer to its range, and building a layered kit in a drum rack, using Sound On Sound and the Ableton Live manual, read on 25 Oct 2026.
Workflows
A limiter is a very fast, very hard compressor that stops your track going over a ceiling. True peak is the level your audio reaches between the samples, after it is turned back into a waveform or encoded to a lossy format. This guide explains both in plain terms, shows how to set a limiter step by step, and explains why a -1 dBTP ceiling is the safe default, using the ITU, EBU and Spotify specs read on 25 Oct 2026.
Workflows
Most home mixes go wrong below 100Hz, where the kick and the bass fight for the same space and the same headroom. This guide covers a practical order of work: arrangement and tuning first, then filters, EQ, ducking and saturation, with checks you can do on modest monitors.
Workflows
Mastering at home is less about secret plugins and more about a short, repeatable chain, honest listening and a few numbers you check at the end. This guide walks through preparing the mix, the four moves most masters need, loudness and true peak, and the export settings, using Spotify and the ITU loudness standard as sources, read on 25 Oct 2026.
Workflows
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