Topic
A sync placement pays for two separate rights, and a music supervisor has to clear both before your track goes anywhere near a picture. Here is what those rights are, why owning both of them makes you easier to license, how library deals differ, why nobody can quote you a standard fee, and the paperwork that gets you paid after the cheque.
Workflows
So far, every deal that pays for training AI on music runs through an intermediary (a label, publisher, distributor, collecting society or sample marketplace), and almost none publishes a rate. Here is how the four deal structures work, what the law says in the EU, UK, US and India as of 23 Oct 2026, and what an independent artist can actually claim.
Workflows
Stable Audio 3, Lyria 3, Suno v6, ElevenLabs' music products and Udio all describe themselves as responsible about rights, but their terms differ sharply on who owns the output, whether you can release it, and whether your own creations become training data. We read each vendor's terms. Here is what they actually say.
Artist rights
The Grammy-winning singer says musicians are owed twice, once for training and again for every new track an AI makes from what it learned. That goes further than the union statement she was resharing, and further than CISAC's president, but one collective licence in Sweden already pays at both points.
AIvia United Musicians and Allied Workers
Universal Music Group is the first major music company to license TYGER, a music app for gamers that adapts licensed recordings to live gameplay. It isn't a song generator, and it could be a new income line. But nobody has said whether artists will be paid like sync or like a stream, or whether they get a say in how their songs are reshaped.
Industryvia TYGER
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