Topic

Workflows

  • Recording drums with few mics: one to four microphones, step by step

    You do not need a twelve-channel interface to record a drum kit that sounds like a band. This guide walks through one-, two-, three- and four-mic setups in the order you should try them, how to keep the snare in time between mics, and when a close mic is worth the channel. Manufacturer guidance and reference figures checked on 25 Oct 2026.

    Workflows

  • Recording tabla, sitar and harmonium at home: a practical guide

    Indian instruments break a lot of home-recording habits: the tabla has two drums with very different jobs, the sitar's sympathetic strings are half its sound, and the harmonium is a box of reeds with a noisy bellows. This guide covers tuning, mic placement, room choices and session etiquette for recording them at home, plus the performer's rights an accompanist holds under Indian law. Sources checked on 25 Oct 2026.

    Workflows

  • Room correction explained: what software and DSP monitors can fix, and what they cannot

    Room correction measures how your speakers sound at your listening position and applies a filter to flatten the result. It is useful, but it corrects one seat, not the room, and it cannot remove echo or fill deep cancellations. This guide explains how the systems work, how to run a measurement properly, and where correction fits after treatment and speaker placement. Manuals checked on 25 Oct 2026.

    Workflows

  • Royalty-free vs copyright-free vs public domain: what each label actually lets you do

    Three labels get used as if they meant the same thing. They do not. "Royalty-free" describes how you pay for a licence, "copyright-free" is usually a marketing phrase, and "public domain" is a legal status. Here is how to tell them apart and a five-step check before you put someone else's music in your video, game or release. Laws and official pages checked on 25 Oct 2026.

    Workflows

  • Stem mastering vs stereo mastering: when splitting the mix is worth it

    Stem mastering means sending a mastering engineer a handful of submixes instead of one stereo file, so they can fix balance problems the mix left behind. This guide explains how it differs from stereo mastering, when it actually helps, how to print stems that sum back to your mix, and why we think it is usually a sign the mix is not finished. Sources checked on 25 Oct 2026.

    Workflows

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