News · industry — By WATMM Desk —
Tickitto puts 70,000 live events into Google Search. What it means for a gig in a 200-cap room
Tickitto, an events API owned by InteleTravel, says its inventory of more than 70,000 live events will now appear in Google Search's Events section. It is a win for aggregators. For independent artists and small venues, Google's own event markup rules still decide who gets found.
Key facts
- What happened: Tickitto announced a partnership with Google to place its live-event inventory in the Events section of relevant Google search results, Digital Music News reported on 21 October 2026.
- How: Tickitto standardises event data from thousands of venues, promoters and providers into one API feed covering more than 70,000 events. Google already accepts events either through structured data on a page or through third-party platforms integrated with it.
- Why it matters: the gigs that reach Google are the ones with clean, machine-readable data and a public ticket link. Small acts that only post a flyer on Instagram stay invisible, whoever the aggregator is.
Google Search has a box for events. Type "gigs near me" or a band's name and, in supported countries, you get a list of dates with ticket links. Until now, what filled that box depended on which ticketing sites and venues had done the work to feed Google. On 21 October, Digital Music News reported that Tickitto, an API that sells live-event tickets through travel and tech companies, has a partnership with Google to put its inventory in that Events section.
Tickitto says the feed covers more than 70,000 events worldwide. That sounds big. What matters for an independent artist is whose events those are, and whether the deal changes anything for a Tuesday-night show at a 200-capacity room.
What Tickitto actually is
Tickitto was founded in 2018 and was acquired by InteleTravel in early 2025, according to the same report. Its business is turning messy ticket inventory into one standard feed that other companies can sell from. Travel advisers at InteleTravel use it to book event tickets alongside trips.
Its founder and CEO, Dana Lattouf, described the problem it solves: "The ticketing supply chain is fragmented across thousands of venues, promoters, and providers with no unified data model." Digital Music News says the Google feed will put "sports, theatre, and local experiences" in front of searchers.
Read that list again. The customers are travel companies, and the pitch is aimed at someone planning a weekend in a city. Tickitto's inventory leans towards what a tourist buys: shows, attractions, big-room concerts. The report doesn't name any grassroots music venue or independent promoter among its suppliers, and we couldn't find a public list of them.
How events get into Google at all
This is the part most artists never see. Google's Event structured data documentation sets out two main routes (it also mentions CMS plugins and its Data Highlighter tool for sites that cannot edit markup):
- Mark up your own page. An event page needs these required properties: a
name, astartDateand alocationwith the venue's address (the venue name is recommended rather than required). Google also recommendsperformer,offers(with a URL where the public can buy a ticket),eventStatusandimage. - Post on a platform that is already integrated with Google. If a ticketing or listing service you use already feeds Google, Google says you can keep posting there and skip the code.
Tickitto now joins the second group. Showpass, another ticketing platform, explains its own version: listings must be active, public and have a future end date, and its venue-based listings work only for US venues.
Google's rules also limit who qualifies. Events must be bookable by the general public and happen at a physical location. Virtual-only events and shows that need an invitation or membership are out. And the feature runs only in some markets: English in Australia, Canada, India, the UK and the US, plus Brazil, Germany, Spain and Latin America in their own languages.
What changes for independent artists and venues
Honestly, not much directly. A new aggregator in Google's Events box adds more listings. It doesn't add a new way in for a gig that isn't in any aggregator's feed.
What it does change is the competition for space. If a searcher in London types "live music this weekend", the Events box now has more inventory to choose from, much of it from bigger, better-funded shows with clean data. An independent gig with a missing start time, a vague venue name or a "DM for tickets" link was already hard for Google to match. Next to 70,000 tidy listings, it gets harder.
Three practical consequences:
- Your ticket link is your listing. Google wants a URL where the public can buy a ticket for that exact event. A link-in-bio page or a sold-out Instagram story doesn't count. If you sell through a platform, check whether it says it feeds Google.
- Venue websites matter again. Small venues that keep an events page with proper markup become their own route into search, without depending on any aggregator choosing to carry them. The UK's grassroots circuit is already under financial pressure; an events page that ranks is one of the cheaper things a venue can fix.
- Cancellations need care. Google asks that a cancelled event keep its date and location and change
eventStatustoEventCancelled, rather than vanish. Tours that get cut short, as several big US tours have been this year, should update listings properly so fans aren't sent to dead pages.
What we think
This is a supply-chain deal, not a discovery deal. Tickitto exists to make tickets easy to resell inside other products, and Google wants a fuller Events box. Both are reasonable goals. Neither is the same as helping a fan find a band they haven't heard of yet.
The deeper problem is that live-music discovery is being decided by data quality, and data quality costs money. A promoter with a ticketing contract and a developer gets structured, synced, cancellation-aware listings for free as a side effect. A self-booked artist doing a run of pub back rooms gets nothing unless someone types the markup by hand. Every new aggregator that plugs into Google widens that gap a little, because it adds polished inventory without adding a path for the unpolished kind.
We'd like to see the fix come from the bottom. Venues of every size should publish events pages with the three required fields done right, because that is the one route into Google that no partnership can take away. Artists should ask their ticketing platform one plain question before signing: do you feed Google's Events listings, and in which countries? And the platforms that court independent music, from Bandcamp to concert-alert services like Songkick, now run by Suno, should treat that feed as a basic feature, not an enterprise extra.
Tickitto bringing 70,000 events to Google is good news for people planning a city break. For the band playing to 40 people on a weeknight, the work of being findable still lands on them and their venue.
Sources
- Digital Music News, Tickitto Bags a Big Google Deal: 70,000 Live Events Now Integrating Into Search (21 Oct 2026)
- Google Search Central, Event structured data
- Showpass, Organizer FAQ: How Google Events integration works with Showpass
Sources
- Event (Event, Place, Organization) structured data, Google Search Central (primary source). Accessed 25 Oct 2026.
- Organizer FAQ: How Google Events integration works with Showpass, Showpass (primary source). Accessed 25 Oct 2026.
- Tickitto Bags a Big Google Deal: 70,000 Live Events Now Integrating Into Search, Digital Music News. Accessed 25 Oct 2026.
Researched with AI assistance, written and checked by WATMM Desk.