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      <title>We are the music makers</title>
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      <description>Music tech and AI in music: the news that matters, what we think about it, and a directory of the tools.</description>
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      <lastBuildDate>Sat, 24 Oct 2026 04:30:00 GMT</lastBuildDate>
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    <guid>https://wearethemusicmakers.co/news/2026/10/soundcloud-moises-stems-mastering-publish-back</guid>
    <title>SoundCloud and Moises link up: pull a track out, split it, master it, publish it back</title>
    <link>https://wearethemusicmakers.co/news/2026/10/soundcloud-moises-stems-mastering-publish-back</link>
    <description>SoundCloud artists can now bring their tracks into Moises for stem separation, mixing, mastering, real-time collaboration and help from its &quot;Moi&quot; assistant, then publish the result straight back to SoundCloud. The loop is convenient, but the announcement leaves eligibility, pricing and the labelling of AI-generated parts undefined.</description>
    <pubDate>Sat, 24 Oct 2026 04:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>music-tech</category><category>workflows</category><category>soundcloud</category><category>moises</category><category>stem-separation</category><category>mastering</category>
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    <guid>https://wearethemusicmakers.co/learn/stem-separation-workflow-and-artefacts</guid>
    <title>How AI stem separation works, and a stem-splitting workflow that survives the artefacts</title>
    <link>https://wearethemusicmakers.co/learn/stem-separation-workflow-and-artefacts</link>
    <description>A stem splitter doesn&#39;t recover the original multitrack. It estimates each part from the finished mix, and its mistakes come out as bleed and artefacts. This guide covers how the models got from Spleeter to Demucs to today&#39;s band-split transformers, why the errors happen, and a workflow that plans for them, keeps unreleased audio on your own machine and clears the rights before you release anything.</description>
    <pubDate>Fri, 23 Oct 2026 06:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>stem-separation</category><category>workflows</category><category>music-tech</category><category>rights</category><category>privacy</category>
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    <guid>https://wearethemusicmakers.co/best/best-ai-stem-splitters</guid>
    <title>Best AI stem splitters in 2026: a desk review of AudioShake, Demucs, iZotope RX, LALAL.AI and Moises</title>
    <link>https://wearethemusicmakers.co/best/best-ai-stem-splitters</link>
    <description>We compared five stem splitters on what their makers publish about price, limits, formats, where your audio is processed and what happens to it afterwards. Nothing is scored until we&#39;ve tested them. On paper, the biggest differences aren&#39;t stem counts. They&#39;re how much each &quot;we don&#39;t train on your files&quot; promise actually covers, and whether you can see the price before you sign up.</description>
    <pubDate>Fri, 23 Oct 2026 06:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>stem-separation</category><category>buyers-guide</category><category>music-tech</category><category>privacy</category>
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    <guid>https://wearethemusicmakers.co/news/2026/09/stem-separation-sample-clearance-explained</guid>
    <title>Stem separation doesn&#39;t make samples free: sample clearance explained</title>
    <link>https://wearethemusicmakers.co/news/2026/09/stem-separation-sample-clearance-explained</link>
    <description>Pulling a drum break or an acapella out of a finished record with a stem splitter doesn&#39;t turn it into a new sound. It is still a copy of someone else&#39;s recording and song, so in most cases it needs two licences, one for the master and one for the composition.</description>
    <pubDate>Sun, 20 Sep 2026 04:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>workflows</category><category>sampling</category><category>copyright</category><category>stem-separation</category>
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    <guid>https://wearethemusicmakers.co/news/2026/08/stem-separation-locally-demucs-privacy</guid>
    <title>Split stems on your own machine: a Demucs guide, and why unreleased tracks should stay off web uploaders</title>
    <link>https://wearethemusicmakers.co/news/2026/08/stem-separation-locally-demucs-privacy</link>
    <description>Demucs, the open-source separation model that came out of Meta&#39;s research lab, still runs well on an ordinary laptop. Here is how to install it from the maintained fork, what the quality trade-offs are, and why a demo or a client&#39;s session is better split at home than on a free website.</description>
    <pubDate>Tue, 18 Aug 2026 04:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>workflows</category><category>stem-separation</category><category>privacy</category><category>open-source</category><category>music-tech</category>
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    <guid>https://wearethemusicmakers.co/news/2026/05/ableton-live-12-4-link-audio-stem-separation</guid>
    <title>Ableton Live 12.4 streams audio between devices and lets you split stems from a selection</title>
    <link>https://wearethemusicmakers.co/news/2026/05/ableton-live-12-4-link-audio-stem-separation</link>
    <description>Live 12.4, a free update for Live 12 owners, adds Link Audio for streaming sound between Live, Push, Move and Note over a local network, and lets Suite users separate stems from part of a clip. The networking is useful but fragile on Wi-Fi; the stem tools make pulling an acapella trivial, which is a clearance problem as much as a creative one.</description>
    <pubDate>Tue, 05 May 2026 04:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>music-tech</category><category>ableton</category><category>stem-separation</category><category>link-audio</category>
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    <guid>https://wearethemusicmakers.co/news/2026/02/lalal-ai-lyra-local-stem-splitting</guid>
    <title>LALAL.AI&#39;s local stem splitter shows where your audio should stay: on your machine</title>
    <link>https://wearethemusicmakers.co/news/2026/02/lalal-ai-lyra-local-stem-splitting</link>
    <description>LALAL.AI&#39;s first plugin, launched in February 2026 and since expanded to seven stems on its local Lyra model, splits audio without uploading it. LALAL.AI admits Lyra gives up some quality against its cloud models, but for unreleased music, where the audio goes is a question worth asking of every AI tool.</description>
    <pubDate>Tue, 03 Feb 2026 04:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>workflows</category><category>music-tech</category><category>stem-separation</category><category>plugins</category><category>privacy</category>
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    <guid>https://wearethemusicmakers.co/news/2025/11/cubase-15-ai-stem-separation-pro-only</guid>
    <title>Cubase 15 puts AI stem separation behind the Pro paywall</title>
    <link>https://wearethemusicmakers.co/news/2025/11/cubase-15-ai-stem-separation-pro-only</link>
    <description>Steinberg&#39;s Cubase 15 adds a melodic pattern sequencer, six new modulators, Yamaha-powered Omnivocal and built-in AI stem separation. The stem tool is Pro-only, so getting it means the $579.99 edition, $250 more than Artist.</description>
    <pubDate>Wed, 05 Nov 2025 04:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>releases</category><category>daw</category><category>stem-separation</category><category>cubase</category><category>ai-music</category>
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    <guid>https://wearethemusicmakers.co/news/2025/02/beatles-now-and-then-grammy-separation-not-generation</guid>
    <title>The Beatles&#39; &quot;Now and Then&quot; won a Grammy with AI, but the AI didn&#39;t make Lennon&#39;s voice</title>
    <link>https://wearethemusicmakers.co/news/2025/02/beatles-now-and-then-grammy-separation-not-generation</link>
    <description>&quot;Now and Then&quot; won Best Rock Performance at the 2025 Grammys. The machine learning behind it separated John Lennon&#39;s real vocal from a late-1970s home demo; it did not generate a voice. That distinction is what kept the record inside the Recording Academy&#39;s human-authorship rules, and it is the line the industry should be arguing about instead of &quot;AI or not&quot;.</description>
    <pubDate>Mon, 03 Feb 2025 04:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
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