
  <rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/">
    <channel>
      <title>We are the music makers</title>
      <link>https://wearethemusicmakers.co/latest</link>
      <description>Music tech and AI in music: the news that matters, what we think about it, and a directory of the tools.</description>
      <language>en-us</language>
      <lastBuildDate>Sun, 25 Oct 2026 05:30:00 GMT</lastBuildDate>
      <atom:link href="https://wearethemusicmakers.co/tags/recording/feed.xml" rel="self" type="application/rss+xml"/>
      
  <item>
    <guid>https://wearethemusicmakers.co/learn/field-recording-basics</guid>
    <title>Field recording basics for musicians: recorders, mics and the rights you need</title>
    <link>https://wearethemusicmakers.co/learn/field-recording-basics</link>
    <description>A practical guide to recording the world outside your room and turning it into music: choosing a recorder, picking and placing mics, settings that save you in the edit, file habits that keep metadata intact, and the rights questions that matter before you release a track built on someone else&#39;s sound. Manuals, standards and laws checked on 25 Oct 2026.</description>
    <pubDate>Sun, 25 Oct 2026 05:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>recording</category><category>sound-design</category><category>workflows</category><category>rights</category>
  </item>

  <item>
    <guid>https://wearethemusicmakers.co/learn/phase-and-polarity-explained</guid>
    <title>Phase and polarity explained: what the Ø button does, and what it cannot fix</title>
    <link>https://wearethemusicmakers.co/learn/phase-and-polarity-explained</link>
    <description>Phase and polarity get used as if they mean the same thing. They do not. Polarity is a flip of the waveform; phase is about time, and its effect changes with frequency. This guide explains both, shows how to hear and fix each in a home studio, and sets out a short checking routine for multi-mic recordings, layered sounds and DI-plus-amp tracks. Sources checked on 25 Oct 2026.</description>
    <pubDate>Sun, 25 Oct 2026 05:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>mixing</category><category>recording</category><category>workflows</category><category>home-studio</category>
  </item>

  <item>
    <guid>https://wearethemusicmakers.co/learn/recording-drums-with-few-mics</guid>
    <title>Recording drums with few mics: one to four microphones, step by step</title>
    <link>https://wearethemusicmakers.co/learn/recording-drums-with-few-mics</link>
    <description>You do not need a twelve-channel interface to record a drum kit that sounds like a band. This guide walks through one-, two-, three- and four-mic setups in the order you should try them, how to keep the snare in time between mics, and when a close mic is worth the channel. Manufacturer guidance and reference figures checked on 25 Oct 2026.</description>
    <pubDate>Sun, 25 Oct 2026 05:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>recording</category><category>home-studio</category><category>microphones</category><category>workflows</category>
  </item>

  <item>
    <guid>https://wearethemusicmakers.co/learn/recording-indian-instruments-at-home</guid>
    <title>Recording tabla, sitar and harmonium at home: a practical guide</title>
    <link>https://wearethemusicmakers.co/learn/recording-indian-instruments-at-home</link>
    <description>Indian instruments break a lot of home-recording habits: the tabla has two drums with very different jobs, the sitar&#39;s sympathetic strings are half its sound, and the harmonium is a box of reeds with a noisy bellows. This guide covers tuning, mic placement, room choices and session etiquette for recording them at home, plus the performer&#39;s rights an accompanist holds under Indian law. Sources checked on 25 Oct 2026.</description>
    <pubDate>Sun, 25 Oct 2026 05:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>recording</category><category>home-studio</category><category>workflows</category>
  </item>

  <item>
    <guid>https://wearethemusicmakers.co/learn/microphone-types-explained</guid>
    <title>Microphone types explained: dynamic, condenser and ribbon for home recording</title>
    <link>https://wearethemusicmakers.co/learn/microphone-types-explained</link>
    <description>Most microphones you will meet are dynamic, condenser or ribbon, and each trades sensitivity, ruggedness and power needs differently. This guide explains what each type does, what its spec sheet tells you, and which one suits a typical home room, using manufacturer documentation from Shure, Neumann and Royer read on 25 Oct 2026.</description>
    <pubDate>Sun, 25 Oct 2026 03:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>home-studio</category><category>recording</category><category>vocals</category><category>gear</category>
  </item>

  <item>
    <guid>https://wearethemusicmakers.co/learn/recording-guitar-at-home</guid>
    <title>Recording guitar at home: DI, amp mics and acoustic placement</title>
    <link>https://wearethemusicmakers.co/learn/recording-guitar-at-home</link>
    <description>Home guitar recording comes down to three routes: plug straight into the interface (DI), put a microphone on an amp, or mic an acoustic. This guide covers each one in practical steps, with mic positions from Shure&#39;s SM57 user guide and the case for always keeping a clean DI track from Sound On Sound, read on 25 Oct 2026.</description>
    <pubDate>Sun, 25 Oct 2026 03:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>home-studio</category><category>recording</category><category>guitar</category><category>workflows</category>
  </item>

  <item>
    <guid>https://wearethemusicmakers.co/learn/vocal-harmonies-and-doubles</guid>
    <title>Vocal harmonies and doubles: how to record and stack them so the lead still leads</title>
    <link>https://wearethemusicmakers.co/learn/vocal-harmonies-and-doubles</link>
    <description>A practical guide to backing vocals: when to double and when to harmonise, how to record stacks that match, how to tighten, pan and level them, and when pitch-shifted harmonies are good enough. Examples reference the Ableton Live and Logic Pro manuals, read on 25 Oct 2026; the method works in any DAW.</description>
    <pubDate>Sun, 25 Oct 2026 03:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>vocals</category><category>recording</category><category>mixing</category><category>workflows</category>
  </item>

  <item>
    <guid>https://wearethemusicmakers.co/learn/choose-an-audio-interface</guid>
    <title>How to choose an audio interface: the specs that matter (preamps, I/O, latency, drivers)</title>
    <link>https://wearethemusicmakers.co/learn/choose-an-audio-interface</link>
    <description>Most interface spec sheets bury four questions under a wall of numbers: are the mic preamps quiet and strong enough for your mics, do you have the inputs and outputs you will actually use, how low can the latency go, and how good is the driver. Here is how to read each one, and which numbers you can safely ignore.</description>
    <pubDate>Sat, 24 Oct 2026 06:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>audio-interfaces</category><category>home-studio</category><category>recording</category><category>latency</category>
  </item>

  <item>
    <guid>https://wearethemusicmakers.co/learn/gain-staging-floating-point</guid>
    <title>Gain staging in 32-bit float: what floating point fixed, and what it did not</title>
    <link>https://wearethemusicmakers.co/learn/gain-staging-floating-point</link>
    <description>A 32-bit float DAW mix bus is very hard to clip, and a 32-bit float field recorder can save a take that hit the red. But your converters, your analogue-modelled plugins and your meters still live in a world with a ceiling. Here is what changed, what still matters, and the habits worth keeping.</description>
    <pubDate>Sat, 24 Oct 2026 06:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>mixing</category><category>gain staging</category><category>workflows</category><category>recording</category>
  </item>

  <item>
    <guid>https://wearethemusicmakers.co/learn/latency-and-buffer-size</guid>
    <title>Latency and buffer size explained: what to set when you record, and when you mix</title>
    <link>https://wearethemusicmakers.co/learn/latency-and-buffer-size</link>
    <description>Latency is the gap between playing a note and hearing it back. The buffer size you pick in your DAW is the biggest dial you control, and it trades delay against CPU headroom. Here is how the maths works, what ASIO and Core Audio actually do, when to reach for direct monitoring, and a simple two-setting routine for tracking and mixing.</description>
    <pubDate>Sat, 24 Oct 2026 06:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>recording</category><category>home-studio</category><category>audio-interfaces</category><category>workflows</category>
  </item>

  <item>
    <guid>https://wearethemusicmakers.co/learn/recording-vocals-at-home</guid>
    <title>Recording vocals at home: mic choice, room, gain and comping</title>
    <link>https://wearethemusicmakers.co/learn/recording-vocals-at-home</link>
    <description>A good home vocal comes from four decisions made in order: a mic that suits your room, a quieter and deader space around the singer, a level that leaves plenty of headroom, and a comp built from several honest takes. This guide walks through each one using manufacturer documentation and Sound On Sound advice, and says where the usual rules of thumb come from.</description>
    <pubDate>Sat, 24 Oct 2026 06:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>home-studio</category><category>recording</category><category>vocals</category><category>workflows</category>
  </item>

    </channel>
  </rss>
