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      <lastBuildDate>Mon, 26 Oct 2026 04:30:00 GMT</lastBuildDate>
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    <guid>https://wearethemusicmakers.co/news/2026/10/suno-shared-workspaces-custom-models-studio-updates</guid>
    <title>Suno&#39;s custom models go shared. Who owns a model trained on your catalogue?</title>
    <link>https://wearethemusicmakers.co/news/2026/10/suno-shared-workspaces-custom-models-studio-updates</link>
    <description>Suno now lets teams share song libraries in Workspaces and lets Premier users share custom models trained on their own uploads, a week after Studio got tighter timing, clip stretching and fade curves. The tools point towards a collaborative studio. Suno&#39;s terms say nothing about who owns a shared model or the songs made with it.</description>
    <pubDate>Mon, 26 Oct 2026 04:30:00 GMT</pubDate>
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    <category>ai</category><category>ai-music</category><category>suno</category><category>collaboration</category><category>daw</category>
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    <guid>https://wearethemusicmakers.co/learn/session-musician-agreements</guid>
    <title>Session musician agreements: what to put in writing before the red light</title>
    <link>https://wearethemusicmakers.co/learn/session-musician-agreements</link>
    <description>A one-page session agreement saves artists and players from the most common disputes: who owns the recording, whether the player is paid once or shares in royalties, how they are credited and what the fee covers. This guide walks through each clause in plain language, and explains why &quot;work made for hire&quot; wording does less for a sound recording than many people assume under US law. Not legal advice; sources read on 25 Oct 2026.</description>
    <pubDate>Sun, 25 Oct 2026 03:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>contracts</category><category>royalties</category><category>copyright</category><category>collaboration</category>
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    <guid>https://wearethemusicmakers.co/learn/collaborate-remotely-on-tracks</guid>
    <title>Collaborate remotely on tracks: file sharing, session formats, stems and splits agreed up front</title>
    <link>https://wearethemusicmakers.co/learn/collaborate-remotely-on-tracks</link>
    <description>Making a track with someone in another city works best when four things are settled early: how files move, what format the session travels in, how stems are exported, and who owns what. Here is a practical order of operations, with the DAW and legal details checked against primary sources.</description>
    <pubDate>Sat, 24 Oct 2026 06:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>collaboration</category><category>workflows</category><category>stems</category><category>splits</category><category>copyright</category>
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    <guid>https://wearethemusicmakers.co/news/2026/10/chaos-1-4m-music-collaboration-remote-sessions</guid>
    <title>Chaos raises £1m to fix remote music sessions. The record of who did what is the real product</title>
    <link>https://wearethemusicmakers.co/news/2026/10/chaos-1-4m-music-collaboration-remote-sessions</link>
    <description>London start-up Chaos has raised a £1m pre-seed round, about $1.4m, for a workspace that puts chat, files, feedback and live writing rooms in one place and logs who contributed what. Earlier collaboration tools died and took their projects with them, so the test is whether that contribution record can leave the app.</description>
    <pubDate>Sat, 24 Oct 2026 04:30:00 GMT</pubDate>
    <dc:creator>We are the music makers</dc:creator>
    <category>workflows</category><category>collaboration</category><category>funding</category><category>provenance</category>
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